The focus of the Taj Mahal is the white marble tomb, which stands on a square plinth consisting of a symmetrical building with an iwan, an arch-shaped doorway, topped by a large dome. Like most Mughal tombs, basic elements are Persian in origin. The base structure is a large, multi-chambered structure. The base is essentially a cube with chamfered edges and is roughly 55 meters on each side (see floor plan, right). On the long sides, a massive pishtaq, or vaulted archway, frames the iwan with a similar arch-shaped balcony. On either side of the main arch, additional pishtaqs are stacked above and below. This motif of stacked pishtaqs is replicated on chamfered corner areas as well. The design is completely symmetrical on all sides of the building. Four minarets, one at each corner of the plinth, facing the chamfered corners, frame the tomb. The main chamber houses the false sarcophagi of Mumtaz Mahal and Shah Jahan; their actual graves are at a lower level. The exterior decorations of the Taj Mahal are among the finest to be found in Mughal architecture. The calligraphy found are of florid thuluth script, created by Persian calligrapher Amanat Khan.
Masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans were requisitioned from the whole of the empire and also from Central Asia and Iran to build the monument. While bricks for internal constructions were locally prepared, white marble for external use in veneering work was obtained from Makrana in Rajasthan. Semi-precious stones for inlay ornamentation were brought from distant regions of India, Ceylon (SriLanka) and Afghanistan. Red sandstone of different tints was requisitioned from the neighbouring quarries of Sikri, Dholpur. It took 17 years for the Taj to be built.
Konark Sun temple
Konark Sun temple (also known as the Black Pagoda), was built in black granite by King Narasimhadeva I (1236 C.E-1264 C.E) of the Eastern Ganga Dynasty. The temple is a UNESCO-World Heritage Site. Built in the 13th century, the temple is designed in the shape of a colossal chariot with 24 wheels (3.3 m dia diameter each) drawn by seven horses and, carrying the Sun god, Surya, across the heavens.It is a stunning monument of religious (Brahmanical) architecture. The Sun temple belongs to the Kalinga School of Indian Temples with characteristic curvilinear towers mounted by cupolas and is aligned in the east-west direction as it is dedicated to Sun, which sun lits the entrance. The temple plan depicts three segments, viz., Natmandir (the outer complex), Jagmohan (the central complex) and Garbhagriha (the main complex housing the Deity). The main sanctum which (69.8 m. high) was constructed along with the audience hall (39.5 m. high) having elaborate external projections. The main sanctum which enshrined the presiding deity has fallen off. The Audience Hall survives in its entirely, but only small portions of the Dancing Hall (nata Mandir) and the Dining Hall (Bhoga-Mandap) have survived the vagaries of time. The Temple compound measures The Temple compound measures 857 ft (261 m) by 540 ft (160 m).
The entrance to the temple is guarded by two lions, each shown crushing a war elephant. Each elephant in turn is shown on top of a human body. At the entrance, there is also a Nata Mandir or dance hall where the temple dancers used to perform dances in homage to the Sun god. All around the temple, there are various floral and geometric patterns. There are also human, divine and semi-divine figures in sensuous poses. The poses contains couples in various amorous postures, and are derived from the Kama Sutr@.
NALANDA
The stupa of Sariputta at Nalanda.
The Nalanda, located in the Indian State of Bihar, was a Buddhist center of learning from 427 C.E to 1197 C.E partly under the Pala Empire. It has been called "one of the first great universities in recorded history." According to historical studies the University of Nalanda was established 450 C.E under the patronage of the Gupta emperors, notably Kumaragupta. Nalanda, considered as the world's first residential university, had dormitories for students and had accommodated over 10,000 students and 2,000 teachers. The university was considered an architectural masterpiece, and was marked by a lofty wall and one gate. Nalanda had eight separate compounds and ten temples, along with many other meditation halls and classrooms. On the grounds were lakes and parks. The library was located in a nine storied building where meticulous copies of texts were produced. The subjects taught at Nalanda University covered every field of learning, and it attracted pupils and scholars from Korea, Japan, China, Tibet, Indonesia, Persia and Turkey. The Tang Dynasty Chinese pilgrim Xuanzang left detailed accounts of the university in the 7th century.
Lakshmana temple at Khajuraho, a panchayatana temple.Khajuraho Temple
Khajuraho has the largest group of medieval (between 950 C.E and 1050 C.E) temples of Hindu and Jain religion. There is perfect fusion of architecture and sculpture at this temple complex, famous for their erotic sculpture. The temples are a UNESCO world Heritage Site. At the Temple of Kandariya, there is a profusion of decorated sculptures considered as one of the greatest masterpieces of Indian art. Built by Chandela dynasty, the temples exhibit stunningly explicit sexual sculptures which were created by the artist's imagination of lovemaking positions prevalent at that time, or based on the rules outlined in the Kamasutra. Many of the sculptors have claimed artistic ownership on many sculptures. Built of sandstone in varying shades of buff, pink or pale yellow, most of the temples belong to the Shiva, Vaishnava or Jaina religious Sects, which are difficult to differentiate from one another. The temples, sited in an East-West direction, depicts a plan with spacious layout with interior rooms inter connected. An entrance, a hall, a vestibule and a sanctum are part the common layout plan of the temples. It is stated that the Khajuraho temples are a celebration of womankind, her innumerable moods and facets which are witnessed by the carvings of a woman writing letter, applying makeup to her eyes, combing her tresses, dancing, and playing with her child. Also etched, sculpted with consummate skill are innocent, coquettish, smiling, seductive, passionate and beautiful and erotic sculptures depicted in intricate detail. It is also opined that the Chandelas followed the Tantric cult with the faith that gratification of earthly desires is a step towards attaining Nirvana, the infinite liberation.
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